Acclaim
Shaham not only exudes her deep understanding of and feeling for the music, but also radiates a contagious joy in performing it...
Ilona Oltuski, GetClassical
Rach 2 with Shaham in Winston-Salem
From the opening rolled chords, it was clear that Shaham is a powerful player and her interaction with the orchestra was first-rate...The pianist's delicate playing was exquisite, inviting the listener into a more intimate world.
Timothy H. Lindeman, Classical Voice of North Carolina

[Shaham's performance of Beethoven's Piano Concerto No. 1 was] ...a vibrant, engaged performance... Elements such as the lyric theme in the second movement were sensitively shaped and elegantly rendered. When the music demanded more, as in the animated final movement, Shaham stepped up, seeming to relish the opportunity. The audience rewarded her with a standing ovation and numerous curtain calls.

San Diego Union-Tribune
Orli Shaham gave a superb account of the solo piano part, with deep color and fine details; while many pianists toss off "The Masque" with be-bop brittleness, Shaham opted for an intriguingly Chopin-like undulation and haze, the lens of disillusion powerfully distorting.
The Faster Times
Orli Shaham played the prominent keyboard part [of Bernstein's second symphony, 'The Age of Anxiety'] - Bernstein's own response to the Auden poem of the title - with great panache in the jazzy passages, which came complete with authentic slap bass. Gorgeous.
The Guardian

"A fabulous pianissimo ... Ms. Shaham showed a firm, elastic touch, anchoring the frantic final movement [of the Ravel]."
The New York Times
"[of Messiaen's Oiseaux exotiques] ...brilliant pianist Orli Shaham playing the wildly difficult solo part."
The New York Times
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