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May 11, 2013 The experience is accessible, rather than antagonistic; and, as a result, this recording is a real delight. |
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April 19, 2013 Orli Shaham's solo recital at Hamon Hall (in the Winspear Opera House) will let audiences stop, look and listen. |
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April 18, 2013 Orli talks about her upcoming concert at the AT&T Performing Arts Center |
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April 17, 2013 "As a New Yorker, I am proud to say that I consider the NJSO as one of my hometown orchestras." |
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April 17, 2013 Orli Shaham returns to Dallas for a one-night only performance at the Winspear Opera House on Thursday. |
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April 15, 2013 Watch the full concert video. |
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April 8, 2013 As often happens, he came with new music in hand -- and also with his wife, pianist Orli Shaham, to play it with him. |
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April 7, 2013 The concerto is a fine piece that I think would reward repeated hearing. |
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March 25, 2013 Three performances, April 6, 7, and 8 include Ravel's orchestration of Mussorgsky's Pictures at an Exhibition. |
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March 20, 2013 One of the things about being an artist is that everything that you've experienced, everything you've seen, everything you've even heard about, informs who you are as an artist. |
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March 17, 2013 Shaham walked immediately to the piano and sounded the grand opening Promenade of Mussorgsky’s “Pictures,” filling the auditorium with glorious sound. |
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February 16, 2013 No surprise, then, that their performance Friday morning was of the “two minds with but a single thought” variety. |
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February 15, 2013 Pianist Orli Shaham’s terrific, spot-on performance was a highlight of the morning. |
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February 14, 2013 It must be fate that scheduled married classical-music titans David Robertson and Orli Shaham on the same programat Powell Hall on Valentine’s Day weekend....As the pair demonstrates, humor—and the magic of two minds making music as one—goes a long way. |
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February 13, 2013 “It is really a concerto in a sort of symphonic structure — how [Bernstein] combines those genres and the way he uses the piano in combinations with an entire section is incredible.” |
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February 4, 2013 Gil Shaham and his pianist sister Orli have created names for themselves both as a duet and separately. |
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October 15, 2012 Her entrance was fiery and dramatic, and she took the orchestra along with her for the ride. |
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October 15, 2012 Once she began playing with the orchestra, the interplay between Shaham, the conductor, and even soloing members of the Philharmonic was entertaining and very enriching. |
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October 11, 2012 The National Philharmonic, with Music Director Piotr Gajewski at the helm, launches its new season this Saturday and Sunday at Strathmore with a rousing program titled "Beethoven: The Power of Three." |
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October 10, 2012 "That's what so great about the richness of Beethoven: layers and layers. It's like the music can be excavated." |
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August 22, 2012 Her interpretation was very poetic and her playing in the first movement cadenza was dazzling. |
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August 15, 2012 Shaham's interpretation of the piano work had a nice touch of rhythmic panache and flair. The audience that night ate up both works. |
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May 24, 2012 She showed herself to be a first-rate Mozartean, combining a crisp keyboard touch with an uncommonly nuanced approach to tone and phrase. |
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April 15, 2012 Good feeling is apparent throughout this peaceful, poignant disc |
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April 15, 2012 Shaham had just the right touch, and she communicated beautifully with her colleagues, so the timing and subtleties were perfect. |
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April 13, 2012 "People always ask me if I have a favorite composer... I can't have a favorite composer. It's like having a favorite child. Every piece, every composer is your favorite." |
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April 12, 2012 Orli joins guest conductor Tan Lihua and the Buffalo Philharmonic in this weekend's performance of Saint-Saens's 2nd Piano Concerto |
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March 20, 2012 She performs with a conviction and power beyond her years, from her opening dramatic chords to florid passages and flashy bravura technique displayed throughout her performance. |
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January 8, 2012 Two very different piano concertos, both performed by soloist Orli Shaham, came as a continuation of mood but opposites in execution. |
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December 31, 2011 |
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