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Her playing is defined by expressive and varied phrasing, always convinced of where it's leading. She even makes Mozart's overuse of the Alberti bassline sound fresh and nuanced rather than a drudgery. And best of all is how she avoids the common pitfall of painting Mozart's portrait as a dainty child prodigy, and instead brings out his free and youthful spirit, an essential feature of his melodic lines.

Featured Recording
Over the past year, Orli Shaham recorded all 18 piano sonatas by Mozart at historic Mechanics Hall in Worcester, MA. On October 30, 2020, Canary Classics releases Volume I of this five-CD series, including Piano Sonata No. 3, K. 281, Piano Sonata No. 13, K. 333, and Piano Sonata No. 17, K. 570; all in Bb major.
In the words of Ms. Shaham,...
Featured Video
Pianist Orli Shaham discusses Mozart's use of Theme and Variation form in her recording of Mozart Concertos K453 & K491 recorded with the St Louis Symphony...
Orli Shaham's Bach Yard
Interactive concerts for children